![]() The individual prints were originally untitled, but were titled by the artist on publication of Contemporary British Art in Print: The Publications of Charles Booth-Clibborn and his Imprint The Paragon Press 1995-2000 in 2001. Variety in texture and tone was created with aquatint (a process for creating an even tonal field), deep bite (a process which results in very dark tones), sugarlift (a process which allows the artist to paint marks that print rather than having to outline them negatively) and chin collé (a method of attaching a thin piece of paper to the surface of a print with glue during the process of printing). ![]() The prints comprising Ten Etchings were made using one or two plates and a range of etching techniques. Doig found the layering process of colour etching sympathetic to his painting process of building up colour and image in many stages. Printing results in a further version of the image. Several versions of an image are often made in large and small paintings as well as more intimate works on paper. Doig may draw or paint on the photographs, cut them up, collage them and photocopy them (often repeatedly) before they reach their final state. The paintings were based on altered photographs, either taken himself or sourced from such media as newspapers, magazines, postcards and books. He has described the process of making the portfolio Ten Etchings as ‘a way of cataloguing some of the work I had made over the previous years’ (quoted in Elliott, p.307), referring to the paintings he made between 1992 and early 1995. It was printed at Hope Sufferance Press, London on 350gsm Zerkall paper and published by Charles Booth-Clibborn under his imprint, The Paragon Press.ĭoig had previously experimented with prints as a student at Wimbledon School of Art, London during his foundation course (1979-80) and made a few unpublished etchings in the early 1990s. The portfolio is presented in a red artist’s solander box with title and colophon pages designed by Peter B. Each print is individually signed and numbered ‘TC’ (Tate copy) by the artist. Tate’s copy is one of six additional proof sets. The portfolio was produced in an edition of thirty-five. As the title indicates, it is a suite of ten etchings. ![]() � 9102, "police blotter" means a ?a chronological listing of arrests, usually documented contemporaneous with the incident, which may include, but is not limited to, the name and address of the individual charged and the alleged offenses.Ten Etchings is Doig’s first print portfolio. The following is an example of a state statute (Pennsylvania) defining the term.Īccording to 18 Pa.C.S. Local newspapers review these blotters to print arrests or notable activities. These records can be inspected by the public. Such records are known as police blotters. Details such as name, age, and address of the suspect/person arrested, time and place of an incident, name of the officer who responded to the incident, and name of the victim/complaining person should be included in a police blotter.įederal and state Freedom of Information laws mandate police agencies to keep a record of daily activities at the police station. Arrests are recorded in a police blotter as they occur. It refers to a book that records arrests and other facts and events in a police station, on a daily basis. Police blotter is a slang term that is used in police practice and procedures.
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